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From an eight-month stint in the Maynard Ferguson Band (where he met Wayne Shorter), a while with Slide Hampton and two years as Dinah Washington's pianist, he got his breakthrough in the Cannonball Adderley Quintet in 1961. Rapidly he became a part of the New York jazz scene. His life's original and cross-cultural story is reflected in his music in a unique way, and in a category all by itself.įrom his native Austria, where he started as an accordion child prodigy, via classical piano and composition studies and a career as a jazz pianist in Europe, he arrived in the US to study at Berklee in 1958 and stayed for a week! It's hard to measure his importance in modern music and to find his equal anywhere. He recently celebrated his 75th birthday (07/07/32) on tour in Europe. Josef Erich Zawinul, one of modern jazz key figures died in Vienna, Austria 11th September 2007. Super Site Historian Frederik Adlers reflects on Joe Zawinul's life (09/20/07): No message - just giving something of ourselves in our music. You can hear my Rhodes on our next album, too. When we do, I will take the same Rhodes Stage 88 I play in the studio because it's the best travelling instrument. Now, what's your forecast for Weather Report? No other keyboard has such positive, sensitive fingertip control. And despite all the tricky electronics in a setup like mine, you feel secure, safe with the Rhodes because it's practically fail-proof. Then you stick with it for control over synthesizers and the rest. You start with Rhodes because it has the basic sound, the universal sound of contemporary music. I call Rhodes the central keyboard - like the middle of the scale. Where does the Rhodes fit into your battery of keyboards? I wrote it down exactly and Weather Report recorded it. I was just improvising and unknown to me, Brian Risner, our engineer, taped me playing. Take Juggler on our album, Heavy Weather. But creativity is funny and unpredictable. Sometimes in the usual way - thinking through a melody on my Rhodes and scoring as I go along. But in the long run, their lack of life experience caused them to peak early. Others may have progressed faster, sooner. And that's when the Rhodes became my piano because I dug the tonal quality. When I started getting serious about music, I became aware of technique and style. I first played the accordion for fun and later the piano for the same reason. To master so many keyboards, you must have been a child prodigy. Joe moved on to a new place in the cosmos on September 11th, 2007. When you peak you stop creating." At age 75, he finally hit his peak in the middle of what would be his last tour with the Zawinul Syndicate, his own electric group of nearly 20 years. In an interview published in a full-page CBS/Rhodes magazine ad circa 1978, Joe was stated as saying: "I haven't peaked yet. Throughout the band's 15-year lifetime Joe was known to be surrounded by an arsenal of synthesizers, but the Rhodes was always the "central keyboard". Following these early experiments in electric jazz, the supergroup Weather Report was born in 1971, with Joe and saxophonist Wayne Shorter as founding members. Around this time the original Fender Rhodes Electric Piano had gone into production, and by 1969 you could hear him playing one with Miles on the albums In A Silent Way and Bitches Brew.
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By the mid-60's Joe was playing with Cannonball Adderley's group, producing the enormously popular hit "Mercy, Mercy, Mercy!" recorded on none other than the Wurlitzer in 1966. He was one of the original Fender Rhodes players who worked with Miles Davis, but he actually began his exploration on the Wurliter Electric Piano owned by Ray Charles as the two of them worked together early in Joe's career. Joe Zawinul was the ultimate pioneer of the electric piano in jazz and fusion, not to mention synthesizers and other electronics.
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"It was there when it all started, and it's still around. Zawinul: Electric Piano Pioneer (1932 - 2007)